چکیده :

The classical music works have a single ontology. On the one hand, the musical work is the one that the composer has composed, and on the other hand, this work gets a different existence every time. The existence of literary work is also a layer of layer, and the effect is realized in varying degrees in each of these layers. Roman Ingannd is the founder of the ontology of art. According to Ingardin,s view, every work of art has unconventional spaces that the audience completes during their aesthetic experience. Therefore, understanding the work of art requires the active participation of the audience and the work is calibrated in an interdisciplinary approach.

کلید واژگان :

Ontology, phenomenology, music, literary work, Ingarden



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